記文學史不外乎: period, genre (author and works)
每個時期都是前一個時期的反動。

1. Classicism (reason): epic, tragedy and comedy
2. Medieval age (faith): courtly love, morality play, mystery play, miracle play (3M) and allegory
3. Renaissance (drama)
Neoclassicism is a revival of the styles and spirit of classic antiquity inspired directly from the classical period, which coincided and reflected the developments in philosophy and other areas of the Age of Enlightenment, and was initially a reaction against the excesses of the preceding Rococo style. While the movement is often described as the opposed counterpart of Romanticism, this is a great over-simplification that tends not to be sustainable when specific artists or works are considered.
5. Romanticism: individualism, emotionalism and humanism (美國文學從這裡開始)
6. Victorian literature (high seriousness)
7. Modernism (1960) 在精神文明破產後,找尋新秩序。

Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was an essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets." He was born in St. Louis, Missouri to an old Yankee family. However he emigrated to England in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39, renouncing his American citizenship.
Eliot attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930) and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948, "for his outstanding, pioneer contribution to present-day poetry."
Imagism (象徵主義)
As a poetic style it gave Modernism its start in the early 20th century, and is considered to be the first organized Modernist literary movement in the English language.
The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry, in contrast to their contemporaries, the Georgian poets, who were generally content to work within that tradition. In contrast, Imagism called for a return to what were seen as more Classical values, such as directness of presentation and economy of language, as well as a willingness to experiment with non-traditional verse forms. Imagists use free verse.
Imagist publications appearing between 1914 and 1917 featured works by many of the most prominent modernist figures, both in poetry and in other fields. The Imagist group was centered in London, with members from Great Britain, Ireland and the United States. Somewhat unusually for the time, a number of women writers were major Imagist figures.
Poetry (先各自表述後總結,如果不懂作者生平會看不懂)
Marianne Moore, 1887 - 1972
…
for inspection, “imaginary gardens with real toads in them,"
shall we have
it. In the meantime, if you demand on the one hand,
the raw material of poetry in
all its rawness and
that which is on the other hand
genuine, you are interested in poetry.
Auld Lang Syne - Lea Michele (New Year's Eve) 新年 一笑泯恩仇
https://www.youtube.com/watch?v=sDvygpeg22s
"Auld Lang Syne" is a Scots poem written by Robert Burns in 1788 and set to the tune of a traditional folk song (Roud # 6294). It is well known in many countries, especially in the English-speaking world, its traditional use being to bid farewell to the old year at the stroke of midnight. By extension, it is also sung at funerals, graduations and as a farewell or ending to other occasions. The international Boy Scout youth movement, in many countries, uses it as a close to jamborees and other functions.

Edward Estlin Cummings (October 14, 1894 – September 3, 1962), known as E. E. Cummings, with the abbreviated form of his name often written by others in lowercase letters as e e cummings (in the style of some of his poems—see name and capitalization, below), was an American poet, painter, essayist, author, and playwright. His body of work encompasses approximately 2,900 poems, two autobiographical novels, four plays and several essays, as well as numerous drawings and paintings. He is remembered as an eminent voice of 20th century English literature.
[Buffalo Bill 's]
BY E. E. CUMMINGS
Buffalo Bill 's
defunct
who used to
ride a watersmooth-silver
stallion
and break onetwothreefourfive pigeonsjustlikethat
Jesus
he was a handsome man
and what i want to know is
how do you like your blueeyed boy
Mister Death
[i carry your heart with me(i carry it in]
BY E. E. CUMMINGS
i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
i carry your heart(i carry it in my heart) → You are my everything.
[somewhere i have never travelled,gladly beyond] (愛情)
E. E. Cummings, 1894 - 1962
somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
張愛玲-見了他,她變得很低很低,低到塵埃里,但她心里是歡喜的,從塵埃里開出花來。
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
北風與太陽-風吹在強衣服不脫,太陽輕輕地一照就脫了。
She blossomed for him like a flower. 大亨小傳
or if your wish be to close me,i and
my life will shut very beautifully,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
從來沒到過,卻很吸引我→以柔克剛的愛情
[in Just-]
BY E. E. CUMMINGS
in Just-
spring when the world is mud-
luscious the little
lame balloonman 頗腳賣氣球的人 Dionysus
whistles far and wee
and eddieandbill come
running from marbles and 兩小無猜的玩石頭
piracies and it's
spring
when the world is puddle-wonderful
the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and玩跳繩
it's
spring
and
the
goat-footed
balloonMan whistles
far
and
wee
由形式上表達酒神,春天要來了。

Thomas Lanier "Tennessee" Williams III (March 26, 1911 – February 25, 1983) was an American playwright and author of many stage classics.
After years of obscurity, he became suddenly famous with The Glass Menagerie (1944), closely reflecting his own unhappy family background. This heralded a string of successes, including A Streetcar Named Desire, Cat on a Hot Tin Roof, Orpheus Descending, and Sweet Bird of Youth. His later work attempted a new style that did not appeal to audiences, and alcohol and drug dependence further inhibited his creative output.
Williams adapted much of his best work for the cinema, and also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, he was inducted into the American Theater Hall of Fame.
A Streetcar Named Desire is a 1947 play written by American playwright Tennessee Williams for which he received the Pulitzer Prize for Drama in 1948. The play opened on Broadway on December 3, 1947, and closed on December 17, 1949, in the Ethel Barrymore Theatre. The Broadway production was directed by Elia Kazan and starred Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden. The London production opened in 1949 with Bonar Colleano, Vivien Leigh, and Renee Asherson and was directed by Laurence Olivier.
經典句子:
1. I don’t want realism. I want magic!
2. They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at-Elysian Fields!電影一開始出現的句子。

3. Whoever you are-I have always depended on the kindness of strangers. 象徵南方沒落&自我毀滅
異曲同工之處
hey stella

https://www.youtube.com/watch?v=c2Fm-gGgOKw
森林保衛戰

Over the Hedge - STELLAAAAAAA !!!!!
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