Albano Afonso，巴西攝影師。系列作品<天堂>

(The fragile phantom shapes are obtained by perforating the photo once pasted on an aluminum mirror back panel. This technique, creating an impression of movement and bringing light into the photo, is the artist's specialty. )

Antoine Schneck 攝影作品。一個古老的橄欖樹，打印在黑色的有機玻璃牆，在他試圖盡可能地呈現他的圖像

，由多種視點而來的圖像，令人難以置信的最後詳細圖像，顯現其豐富的紋理。

Laurent Chehere

Also at Paris-Beijing's booth, the flying houses by Laurent Chehere comprise a poetic project. Featuring shabby buildings,
houses under demolition and old-fashioned cafes, the work cuts structures out of context and suspends them in the sky,
attached by their electric wires and banners that hold them up like festive garlands. Some buildings are aflame as others
dangerously tilt—their stories plastered on their walls in the form of worn-off advertisements and faded wallpaper—all
referencing old Paris and typical French towns.

楊泳梁

上海的藝術家，重建中國山水畫。他的照片擁有典型的山水風景但仔細查看裡頭卻是摩天大樓，廠房及機器，不僅僅是一道風景。

2013/3/28~4/1

• 6 500平方米的大皇宮巴黎的心臟地帶
• 來自20個國家的144家參展商
• 1 500名藝術家，48萬人次
• 43％的國際畫廊和57％的法國畫廊
• 52％的新的參與者