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芭蕾舞劇Proust, ou, Les intermittences du coeur裡的音樂 ~從夏呂斯男爵的貝多芬四重奏說起
2018/12/08 06:06

引用文章芭蕾舞劇 2~ ou les intermittences du coeur~ PROUST according to Roland Petit




在此則是用了貝多芬真正的最後寫的一首第14號四重奏 第五樂章Presto 急版op.131

此段音樂(不中斷)之七樂章的第五V Presto(急板)25:28  

<iframe width="560" height="315" src="" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> the end of the scherzo, there is "an astounding "passage of   pianissimo sul ponticello  writing for all the instruments, mostly on their highest strings." Joseph Kerman asks "Was this a sound Beethoven had actually heard, back in the days when he was hearing, or did he make up the sound for the first time in 1826? Beethoven deaf was quite capable of hearing or imagining or inventing not only relationships between notes but also sonorities pure and simple."


即全劇影片 47:15 起的舞蹈

其他兩段夏呂斯男爵, 音樂比較不直接相關

 Proust Ballet - Monsieur de Charlus face à linsaisissable(Monsieur de Charlus facing the elusive難以捉摸) 第四冊《索多姆和戈摩爾》即上一段

In this, we see Monsieur de Charlus falling in love with Morel, we see him courting the violinist. The music chosen by Petit is that Quartetto per Archi op.131 of Beethovenche Proust loved so much that one night he sent for the Quartetto Poulet to make him play his own house. The musical choice of Petit and the skill of the étoile Manuel Legris return us all the nuances of that complex, charming character that is the Baron of Charlus and all this Petit gets him keeping an eye - even if he does not mention them directly - the fundamental pages of the sexual encounter between Monsieur de Charlus and the Jupien faker initial of Sodom and Gomorrah.

Look carefully, please, the skirts of M. de Charlus / Legris from 3.28 onwards ...

By doing this, Petit therefore achieves a double operation of "displacement" and "condensation". Two typically Proustian operations.

 Proust Ballet - Monsieur de Charlus vaincu par limpossibile (Monsieur de Charlus defeated by impossibility)

Still Manuel Legris who plays M. de Charlus.

Here we see him when he discovers the depravity, the betrayals, the pettiness of his young lover and protégé, the violinist Morel

The music is the Havanaise for violin and orchestra by Camille Saint-Saëns

 Proust Ballet - Les enfers de Monsieur de Charlus (The underworld of Monsieur de Charlus)第七冊”重現的時光”旅館

 What about this? The pages of Time found in which, in the male brothel held by Jupien, the Narrator assists unseen to the masochistic practices to which the Baron of Charlus undergoes.

Terrible, but also grotesque and incredibly comical. They are among the most entertaining pages of the RTP.

Petit has taken full advantage of this aspect, neglected by more (we know that when it comes to Proust in general you only see hawthorns, hats, teacups and madeleinettes ... we know, we know ...), and gives it back to us.

Music is the Heroic March of Camille Saint-Saëns